"La Sonnambula / Act 1: Viva! Viva Amina!" by Vincenzo Bellini, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi was released on January 1, 2008. With La Sonnambula / Act 1: Viva! Viva Amina! being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 44 in Bellini: La Sonnambula by Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Sonnambula / Act 1: Viva! Viva Amina! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Sonnambula / Act 1: Viva! Viva Amina! by Vincenzo Bellini, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
Don Giovanni, K. 527: Act II Scene 6: Aria: Vedrai, carino (Zerlina) | Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz | E♭ Major | 2 | 5B | 125 BPM | ||
Roberto Devereux / Act 1: "All'afflitto è dolce il pianto" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | G Major | 1 | 9B | 91 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 2 | 10B | 99 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM |