"Roberto Devereux / Act 1: "All'afflitto è dolce il pianto"" by Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado was released on June 27, 2020. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 40 out of 44 in Donizetti: An Introduction by Gaetano Donizetti. In terms of popularity, Roberto Devereux / Act 1: "All'afflitto è dolce il pianto" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roberto Devereux / Act 1: "All'afflitto è dolce il pianto" by Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Margreta Elkins, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
El día que me quieras (Arr. Chichon) | Carlos Gardel, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F Major | 1 | 7B | 82 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
5 Lieder, Op. 47: IV. O liebliche Wangen | Johannes Brahms, Elina Garanca, Malcolm Martineau | F♯ Minor | 1 | 11A | 86 BPM | ||
Giulio Cesare in Egitto, HWV 17, Act III: "E pur cosi / Piangerò la sorte mia" | George Frideric Handel, Kathleen Battle, Margo Garrett | E Major | 0 | 12B | 71 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
La Dame blanche: "A quel plaisir d’être soldat " | François-Adrien Boieldieu, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | C Major | 3 | 8B | 84 BPM | ||
La Taberna del Puerto: No puede ser | Pablo Sorozábal, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F Major | 2 | 7B | 85 BPM | ||
Madrigal On A Catalan Popular Theme | Xavier Montsalvatge, Elina Garanca, Peter Bruns, Staatskapelle Dresden, Fabio Luisi | F Minor | 0 | 4A | 83 BPM |