"Carmen / Act 1: "Près des remparts de Séville"" by Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1983. With this song being about 5 minutes long, at 4:47, "Carmen / Act 1: "Près des remparts de Séville"" by Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 21 out of 55 in Bizet: Carmen by Georges Bizet, Agnes Baltsa, José Carreras, José van Dam, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan. Carmen / Act 1: "Près des remparts de Séville" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen / Act 1: "Près des remparts de Séville" by Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 90 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 2: Entr'acte and Waltz with Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Herve Hennequin, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | D Major | 2 | 10B | 113 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 132 BPM | ||
Stabat Mater: Amen. In sempiterna saecula | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | C Minor | 5 | 5A | 76 BPM | ||
La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | F Major | 0 | 7B | 82 BPM | ||
Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | ||
Carmen / Act 3: Final: "Holà! holà! José!" | Georges Bizet, Agnes Baltsa, José van Dam, Gino Quilico, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D♭ Major | 1 | 3B | 88 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
Toccata and Fugue in D Minor, BWV 565: II. Fugue | Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker | B♭ Major | 0 | 6B | 76 BPM |