Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba's 'Linda di Chamounix, A. 62, Act II Scene 7: Nel silenzio della sera' came out on December 3, 2021. The duration of Linda di Chamounix, A. 62, Act II Scene 7: Nel silenzio della sera is about 3 minutes long, at 3:29. Based on our data, "Linda di Chamounix, A. 62, Act II Scene 7: Nel silenzio della sera" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 50 in Donizetti: Linda di Chamounix, A. 62 by Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Francesco Demuro, Orchestra del Maggio Musicale Fiorentino, Michele Gamba. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Linda di Chamounix, A. 62, Act II Scene 7: Nel silenzio della sera is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Linda di Chamounix, A. 62, Act II Scene 7: Nel silenzio della sera by Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. Quis est homo qui non fleret | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 72 BPM | ||
"Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): La pietade in suo favore | Gaetano Donizetti, Rolando Panerai, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | G Major | 5 | 9B | 113 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
Anna Bolena (1997 - Remaster): Desta sì tosto | Gaetano Donizetti, Nicola Rossi-Lemeni, Maria Callas, Gianni Raimondi, Orchestra Del Teatro Alla Scala, Milano, Gianandrea Gavazzeni | B Major | 3 | 1B | 100 BPM | ||
Don Pasquale: Act I: Quel guardo il cavaliere | Gaetano Donizetti, Roberto Abbado | B Major | 1 | 1B | 129 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM |