Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, London Symphony Orchestra's 'War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death"' came out on May 8, 2012. With War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death" being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death" by Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge | D♭ Minor | 1 | 12A | 96 BPM | ||
Mahler: Des Knaben Wunderhorn: XI. Revelge | Gustav Mahler, Ian Bostridge | B♭ Major | 2 | 6B | 106 BPM | ||
Rusalka, Op. 114 / Act 3: Bílá moje lani! Bílá moje lani! | Antonín Dvořák, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Minor | 4 | 10A | 80 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Carmina Burana: XI. Estuans interius | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 74 BPM | ||
Johnny | Wystan Hugh Auden, Benjamin Britten, Sarah Walker, Roger Vignoles | A♭ Major | 0 | 4B | 87 BPM | ||
Beethoven: An die ferne Geliebte, Op. 98: IV. "Diese Wolken in den Höhen" | Ludwig van Beethoven, Ian Bostridge, Antonio Pappano | A♭ Major | 1 | 4B | 76 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
War Requiem, Op. 66: x. Dies Irae - Confutatis maledictis | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | C Major | 2 | 8B | 144 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 179 BPM |