Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra's 'War Requiem, Op. 66: x. Dies Irae - Confutatis maledictis' came out on May 8, 2012. With War Requiem, Op. 66: x. Dies Irae - Confutatis maledictis being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. Based on our statistics, War Requiem, Op. 66: x. Dies Irae - Confutatis maledictis's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66: x. Dies Irae - Confutatis maledictis by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | F Major | 0 | 7B | 133 BPM | ||
Carmina Burana: X. Were diu werlt alle min | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | C Major | 2 | 8B | 143 BPM | ||
Adams: Nixon in China: Act I, Scene 2 - "Like the Ming Tombs." | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 96 BPM | ||
Parsifal, WWV 111 / Act 2: "Komm, holder Knabe!" | Richard Wagner, Barbara Hendricks, Janet Perry, Inga Nielsen, Doris Soffel, Audrey Michael, Rohangiz Yachmi, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D♭ Major | 1 | 3B | 88 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 24, Dance of the Five Couples | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 1 | 7B | 161 BPM | ||
Stabat Mater, FP 148: 3. O quam tristis | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F♯ Major | 0 | 2B | 111 BPM | ||
Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | ||
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM | ||
Britten: War Requiem, Op. 66: IV. Dies irae - " Dies irae, dies illa" (Chorus) | Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
Requiem: IV. Liber Scriptus | Giuseppe Verdi, Sir Colin Davis, Karen Cargill, London Symphony Orchestra | B♭ Major | 0 | 6B | 68 BPM |