Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox made "Carmina Burana: XI. Estuans interius" available on January 1, 2005. The duration of Carmina Burana: XI. Estuans interius is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Carmina Burana: XI. Estuans interius's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #11. Carmina Burana: XI. Estuans interius is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana: XI. Estuans interius by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La battaglia di Legnano: Preghiera, 'Deus meus, pone illos ut rotam' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Manon Lescaut: Act IV: Sola, perduta, abbandonata | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
Across the Stars (Love Theme from "Star Wars: Attack of the Clones") | John Williams, London Symphony Orchestra | C Major | 1 | 8B | 81 BPM | ||
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
The Rake's Progress / Act 1/Scene 1: "The woods are green" | Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Alexander Nevsky, Op. 78: VI. Field Of The Dead | Sergei Prokofiev, Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 77 BPM | ||
Carmen, WD 31 / Act 2: "Votre toast... je peux..." - "Toréador, en garde" | Georges Bizet, Sherrill Milnes, George Main, Robert Lloyd, Teresa Berganza, Yvonne Kenny, Gordon Sandison, Geoffrey Pogson, Alicia Nafé, Jean Lainé, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | F Major | 2 | 7B | 105 BPM |