"Manon Lescaut: Act IV: Sola, perduta, abbandonata" by Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari was released on August 25, 1992. With this song being about 5 minutes long, at 4:48, "Manon Lescaut: Act IV: Sola, perduta, abbandonata" by Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. Manon Lescaut: Act IV: Sola, perduta, abbandonata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut: Act IV: Sola, perduta, abbandonata by Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Il barbiere di Siviglia / Act II: No. 19 Finaletto II: "Di sì felice innesto" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Hermann Prey, Enzo Dara, Paolo Montarsolo, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 3 | 9B | 109 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Neue Liebeslieder-Walzer, Op. 65: XV. Zum Schluss | Johannes Brahms, Greta de Reyghere, Lucienne van Deyck, Guy De Mey, Huub Claessens, Jean-Claude Vanden Eynden, Luc Devos | E Major | 0 | 12B | 79 BPM | ||
Liebeslieder-Walzer, Op. 52: I. Rede, Mädchen, allzu liebe | Johannes Brahms, Greta de Reyghere, Lucienne van Deyck, Guy De Mey, Huub Claessens, Jean-Claude Vanden Eynden, Luc Devos | E Major | 0 | 12B | 79 BPM | ||
La Bohème: Act I: Chi è là? - Scusi. - Una donna! | Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sir Georg Solti, London Philharmonic Orchestra | E Minor | 0 | 9A | 77 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Questa è la cameriera (Goro/Pinkerton/Suzuki/Sharpless) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | C Major | 2 | 8B | 98 BPM | ||
Falla: Atlàntida, Pt. 2: No. 18, L'arcàngel (Arcàngel, Cor, Corifeu) | Manuel de Falla, Rafael Frühbeck de Burgos, Coro Nacional de España, Eduardo Giménez, Escolanía de Nuestra Señora del Recuerdo, Vicente Sardinero, Orquesta Nacional De España | E Minor | 0 | 9A | 81 BPM | ||
La Bohème: Act IV: Eccoci. - Ebben? | Giacomo Puccini, Plácido Domingo, Sherrill Milnes, Ruggero Raimondi, Vicente Sardinero, Sir Georg Solti | A Major | 2 | 11B | 69 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 76 BPM |