"La Bohème: Act I: Chi è là? - Scusi. - Una donna!" by Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sir Georg Solti, London Philharmonic Orchestra was released on 1974. The duration of La Bohème: Act I: Chi è là? - Scusi. - Una donna! is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. La Bohème: Act I: Chi è là? - Scusi. - Una donna!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Puccini: La Bohème - The Sony Opera House". In this album, this song's track order is #8. La Bohème: Act I: Chi è là? - Scusi. - Una donna! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Act I: Chi è là? - Scusi. - Una donna! by Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sir Georg Solti, London Philharmonic Orchestra having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 2: "Ch'io lo trassi in arresto" (Spoletta, Scarpia, Cavaradossi, Coro, Tosca) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, David Cangelosi, Roberto Alagna, Ruggero Raimondi, Orchestra of the Royal Opera House & Covent Garden | E Minor | 1 | 9A | 80 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Puccini: Tosca, Act 2: "Sciarrone, che dice il Cavalier?" (Scarpia, Sciarrone, Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Ruggero Raimondi, Sorin Coliban, Orchestra of the Royal Opera House & Covent Garden | A♭ Major | 0 | 4B | 108 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
Gianni Schicchi, Aria: O mio babbino caro | Giacomo Puccini, Montserrat Caballé, Josè Collado | A♭ Major | 2 | 4B | 89 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 103 BPM | ||
E Lucevan Le Stelle (Tosca), 900861: Puccini: E Lucevan Le Stelle (Tosca) - E Lucevan Le Stelle (Tosca) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F Minor | 3 | 4A | 121 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM |