"Gianni Schicchi, Aria: O mio babbino caro" by Giacomo Puccini, Montserrat Caballé, Josè Collado was released on 1991. The duration of Gianni Schicchi, Aria: O mio babbino caro is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Gianni Schicchi, Aria: O mio babbino caro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Montserrat Caballé's "Montserrat Caballé, Diva Eterna" album is number 10 out of 24. Gianni Schicchi, Aria: O mio babbino caro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gianni Schicchi, Aria: O mio babbino caro by Giacomo Puccini, Montserrat Caballé, Josè Collado to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
La Paloma | Victoria de los Ángeles | D Major | 1 | 10B | 122 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Questa è la cameriera (Goro/Pinkerton/Suzuki/Sharpless) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | C Major | 2 | 8B | 98 BPM | ||
Largo al factotum | Gioachino Rossini, Simon Keenlyside, Ulf Schirmer | C Major | 3 | 8B | 73 BPM | ||
Requiem, Op. 48: VI. Agnus Dei | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Minor | 1 | 7A | 69 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
La Gioconda / Act 1: Maledici? sta ben | Amilcare Ponchielli, Sherrill Milnes, Regolo Romani, Montserrat Caballé, National Philharmonic Orchestra, Bruno Bartoletti | A Minor | 0 | 8A | 164 BPM | ||
Il barbiere di Siviglia / Act I: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) | Gioachino Rossini, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | C Major | 2 | 8B | 135 BPM | ||
Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
Barcelona | Freddie Mercury, Montserrat Caballé | E♭ Major | 5 | 5B | 111 BPM |