"Falla: Atlàntida, Pt. 2: No. 18, L'arcàngel (Arcàngel, Cor, Corifeu)" by Manuel de Falla, Rafael Frühbeck de Burgos, Coro Nacional de España, Eduardo Giménez, Escolanía de Nuestra Señora del Recuerdo, Vicente Sardinero, Orquesta Nacional De España was released on January 1, 1978. Falla: Atlàntida, Pt. 2: No. 18, L'arcàngel (Arcàngel, Cor, Corifeu) is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 18 out of 26 in Falla: Atlàntida by Manuel de Falla, Rafael Frühbeck de Burgos, Orquesta Nacional De España. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Falla: Atlàntida, Pt. 2: No. 18, L'arcàngel (Arcàngel, Cor, Corifeu) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Falla: Atlàntida, Pt. 2: No. 18, L'arcàngel (Arcàngel, Cor, Corifeu) by Manuel de Falla, Rafael Frühbeck de Burgos, Coro Nacional de España, Eduardo Giménez, Escolanía de Nuestra Señora del Recuerdo, Vicente Sardinero, Orquesta Nacional De España is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 75 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Cello Sonata in F Major, Op.6: II. Andante ma non troppo | Richard Strauss, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 171 BPM | ||
Noches en los jardines de España: I. En el Generalife | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande, Mari Kodama | F♯ Major | 0 | 2B | 103 BPM | ||
Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 90 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |