"Les larmes de Jacqueline, Op. 76, No. 2" by Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva was released on April 3, 2012. Since Les larmes de Jacqueline, Op. 76, No. 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The French Album". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Les larmes de Jacqueline, Op. 76, No. 2 is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les larmes de Jacqueline, Op. 76, No. 2 by Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Cello Concerto in F Major, RV412: 1. Allegro | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | F Major | 2 | 7B | 116 BPM | ||
Duos for Two Cellos, Op. 49 No. 1 in C Major: II. Andante | Jacques Offenbach, Giovanni Sollima, Andrea Noferini | G Major | 0 | 9B | 80 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM |