"Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola)" by Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien was released on February 24, 2017. Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 9 out of 10 in Bel Canto: The Voice of the Viola by Antoine Tamestit, Cédric Tiberghien. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) by Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Thaïs: Méditation (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Nigel Hess, Royal Philharmonic Orchestra | D Major | 2 | 10B | 95 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Dido and Aeneas: Dido's Lament | Jessye Norman | C Minor | 2 | 5A | 89 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Jan Vogler, Helmut Branny | E Major | 1 | 12B | 84 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
All in the Past | Georgs Pelēcis, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 0 | 7A | 58 BPM |