"The Rake's Progress / Act 1/Scene 1: "The woods are green"" by Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner was released on January 1, 1999. The duration of The Rake's Progress / Act 1/Scene 1: "The woods are green" is about 3 minutes long, at 3:28. Based on our data, "The Rake's Progress / Act 1/Scene 1: "The woods are green"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 63 in the song's album "Stravinsky: The Rake's Progress". In this album, this song's track order is #2. The Rake's Progress / Act 1/Scene 1: "The woods are green" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rake's Progress / Act 1/Scene 1: "The woods are green" by Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): I. Sinfonia | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | D Minor | 1 | 7A | 116 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
Pulcinella Ballet in one Act: 10. Andante: "Sento dire no'ncè pace" | Igor Stravinsky, Anna Caterina Antonacci, Pietro Ballo, William Shimell, Concertgebouworkest, Riccardo Chailly | C Major | 3 | 8B | 147 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | A Major | 1 | 11B | 90 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM |