Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian's 'Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): I. Sinfonia' came out on January 1, 2000. Since Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): I. Sinfonia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Stravinsky, I.: Duo Concertante / Ravel, M.: Violin Sonata". In this album, this song's track order is #6. In terms of popularity, Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): I. Sinfonia is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): I. Sinfonia by Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 10: III. Scherzo: Vivace | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | E Major | 0 | 12B | 97 BPM | ||
Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM | ||
Hexapoda: No. 4, Jim Jives | Robert Russell Bennett, Patrick Savage, Martin Cousin | B♭ Major | 2 | 6B | 59 BPM | ||
Stravinsky: Duo concertant for Violin and Piano: II. Églogue I | Igor Stravinsky, Samuel Dushkin | G Major | 2 | 9B | 93 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Intermezzo in A Minor, Eg 115 | Edvard Grieg, Daniel Müller-Schott, Herbert Schuch | C Minor | 0 | 5A | 75 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral | E Major | 0 | 12B | 76 BPM | ||
Märchenbilder, Op. 113: IV. Langsam | Robert Schumann, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM |