"Myrthen, Op. 25: No. 24 - Du bist wie eine Blume" by Robert Schumann, Pablo Ferrandez, Julien Quentin was released on April 12, 2024. With Myrthen, Op. 25: No. 24 - Du bist wie eine Blume being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pablo Ferrandez's "Myrthen, Op. 25: No. 24 - Du bist wie eine Blume" album is number 1 out of 4. On top of that, United States appears to be the country where this track was created. In terms of popularity, Myrthen, Op. 25: No. 24 - Du bist wie eine Blume is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Myrthen, Op. 25: No. 24 - Du bist wie eine Blume by Robert Schumann, Pablo Ferrandez, Julien Quentin to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1 in F Minor, Op. 6: II. (Adagio) | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
The Seasons, Op. 37b: X. October "Autumn Song" (Arr. for Violin and Orchestra by Matthias Spindler) | Pyotr Ilyich Tchaikovsky, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | A♭ Major | 1 | 4B | 174 BPM | ||
Prélude in E-Flat Minor, Op. 16, No. 4 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Etude No.14 (Bonus Track) | Philip Glass, Feico Deutekom | D♭ Major | 2 | 3B | 127 BPM | ||
Unfinished Accel World | Satoshi Yaginuma, Animenzz | A♭ Major | 4 | 4B | 131 BPM | ||
Concert Phantasy on 'Le coq d'or': The Tsar's Dream | Nikolai Rimsky-Korsakov, Luka Faulisi | A♭ Major | 1 | 4B | 72 BPM | ||
Fünf Stücke Im Volkston, Op. 102, Mvt. 2 | Robert Schumann, Liv Glaser, Ernst Simon Glaser | F Major | 2 | 7B | 140 BPM | ||
Cello Sonata in D Major, Op. 17: I. Allegro molto | Luise Adolpha Le Beau, Connie Shih, Steven Isserlis | A Minor | 0 | 8A | 79 BPM | ||
Deux mélodies hébraïques, M.22, No. 2: Enigme éternelle | Maurice Ravel, Sonia Wieder-Atherton, János Fürst, Sinfonia Varsovia | C Major | 1 | 8B | 93 BPM | ||
12 Études, Op. 25: No. 10 in B Minor "Octave" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM |