Robert Schumann, Liv Glaser, Ernst Simon Glaser made "Fünf Stücke Im Volkston, Op. 102, Mvt. 2" available on September 28, 2004. The duration of Fünf Stücke Im Volkston, Op. 102, Mvt. 2 is about 3 minutes long, at 3:03. Based on our data, "Fünf Stücke Im Volkston, Op. 102, Mvt. 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Schubert & Schumann". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Norway. Based on our statistics, Fünf Stücke Im Volkston, Op. 102, Mvt. 2's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Fünf Stücke Im Volkston, Op. 102, Mvt. 2 by Robert Schumann, Liv Glaser, Ernst Simon Glaser having a テンポ of 140 with a half-time of 70 テンポ and a double-time of 280 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Bagatelles, Op. 126: No. 5 in G Major. Quasi allegretto | Ludwig van Beethoven, Steven Osborne | A Minor | 0 | 8A | 125 BPM | ||
Mayenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
The Seasons, Op. 37a: No. 10, Autumn Song (Arr. for Piano Trio by Louis Eaton) | Pyotr Ilyich Tchaikovsky, Christoph Croisé, Andrey Baranov, Alexander Panfilov | A Major | 4 | 11B | 119 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
Glazunov: Meditation, Op. 32 | Su Shien-Ta, Yu Tsui-Ling | A Minor | 0 | 8A | 76 BPM | ||
Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
Scherzo (1954) | Jānis Ķepītis, Duo Arnicans | F Major | 2 | 7B | 132 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Bagatelles, Op. 47, B. 79: No. 3, Allegretto scherzando | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 124 BPM | ||
Abbey Road concerto for Violin and Orchestra: I. Ouverture | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 95 BPM |