Igor Stravinsky, Anna Caterina Antonacci, Pietro Ballo, William Shimell, Concertgebouworkest, Riccardo Chailly made "Pulcinella Ballet in one Act: 10. Andante: "Sento dire no'ncè pace"" available on January 1, 1995. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 35 in the song's album "Stravinsky: Pulcinella; Petrushka". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Pulcinella Ballet in one Act: 10. Andante: "Sento dire no'ncè pace"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pulcinella Ballet in one Act: 10. Andante: "Sento dire no'ncè pace" by Igor Stravinsky, Anna Caterina Antonacci, Pietro Ballo, William Shimell, Concertgebouworkest, Riccardo Chailly having a テンポ of 147 with a half-time of 74 テンポ and a double-time of 294 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charterhouse Suite: Quick Dance | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | E Minor | 1 | 9A | 120 BPM | ||
Sinfonietta, FP 141: IV. Finale | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Le rossignol (The Nightingale): Scene 1 (The Forest at Dawn): Nightingale's Aria | Igor Stravinsky, Olga Trifonova, Robert Tear, Pippa Longworth, Paul Whelan, Stephen Richardson, Andrew Greenan, Sally Burgess, Peter Hall, Simon Preece, London Voices, Philharmonia Orchestra, Robert Craft | F♯ Major | 1 | 2B | 66 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I | Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday | D Major | 5 | 10B | 114 BPM | ||
Organ Concerto in G Minor, FP 93: I. Andante | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F♯ Minor | 1 | 11A | 139 BPM |