Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz made "La fanciulla del West: Ch'ella mi creda" available on June 28, 1993. The duration of La fanciulla del West: Ch'ella mi creda is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. La fanciulla del West: Ch'ella mi creda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Puccini: The Best of Puccini". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, La fanciulla del West: Ch'ella mi creda is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La fanciulla del West: Ch'ella mi creda by Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31, Act IV: A deux cuartos (Street Sellers) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F♯ Major | 2 | 2B | 117 BPM | ||
Bizet: Carmen, WD 31, Act 2 Scene 5: No. 17b, Cantabile, "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 87 BPM | ||
La primavera, P. 136: Invocazione | Ottorino Respighi, Miroslav Dvorský, Richard Haan, Vladimir Kubovcik, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | D♭ Major | 2 | 3B | 84 BPM | ||
Turandot / Act 1: O giovinetto! Grazia, grazia! | Giacomo Puccini, Andrea Bocelli, Coro de la Comunitat Valenciana, Orquestra de la Comunitat Valenciana, Zubin Mehta | E♭ Major | 4 | 5B | 67 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | E♭ Major | 2 | 5B | 0 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | A Major | 1 | 11B | 89 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
La Bohème / Act 4: "Che avvien?" - Live | Giacomo Puccini, Anna Netrebko, Nicole Cabell, Rolando Villazón, Stéphane Degout, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B♭ Major | 0 | 6B | 138 BPM |