Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker made "Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora" available on January 5, 2005. The duration of Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #18. The popularity of Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker having a テンポ of 179 with a half-time of 90 テンポ and a double-time of 358 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rückert Lieder: II. Ich atmet' einen linden Duft | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | D Major | 0 | 10B | 84 BPM | ||
Symphony No.9 In D / 1. Satz: (Brass) | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 114 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | E Minor | 0 | 9A | 63 BPM | ||
Carmen / Act 1: Final: "Le lieutenant! Prenez garde..." | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit | D♭ Major | 0 | 3B | 175 BPM | ||
Te Deum in C Major, WAB 45: II. Te ergo | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | B♭ Minor | 0 | 3A | 72 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
La Bohème / Act 4: "Gavotta" | Giacomo Puccini, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 86 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
Macbeth / Act 1: Scena e Sestetto - Finale I: "Di destarlo per tempo il re m'impose" | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Antonio Savastano, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 2 | 3B | 94 BPM |