"Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost"" by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov was released on January 1, 1993. With Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act 2: In quelle trine morbide | Giacomo Puccini, Mirella Freni, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 163 BPM | ||
Rigoletto / Act 1: Zitti, zitti...Soccorso, padre mio | Giuseppe Verdi, June Anderson, Leo Nucci, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 2 | 6B | 84 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Die Walküre, WWV 86B / Act I: "O süsseste Wonne! Seligstes Weib!" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 109 BPM | ||
La strada della vita | Dmitri Hvorostovsky | B♭ Minor | 7 | 3A | 130 BPM | ||
Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!" | Richard Wagner, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
12 Songs, Op. 14: No. 9. Ona, kak polden', khorosha (She is as beautiful as noon) | Sergei Rachmaninoff, Dmitri Hvorostovsky, Ivari Ilja | F Minor | 1 | 4A | 126 BPM | ||
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | ||
Nabucco / Act 4: Oh, dischiuso è il firmamento! | Giuseppe Verdi, Lucia Valentini Terrani, Lucia Popp, Plácido Domingo, Yevgeny Nesterenko, Kurt Rydl, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | F Major | 1 | 7B | 108 BPM |