Richard Wagner, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti's 'Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!"' came out on January 1, 1977. Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Der Fliegende Holländer by Richard Wagner, Norman Bailey, Chicago Symphony Orchestra, Sir Georg Solti. The song's track number on the album is #9 out of 26 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!" by Richard Wagner, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!" being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille du régiment / Act 1: Je suis soldat | Gaetano Donizetti, Luciano Pavarotti, Spiro Malas, Eric Garrett, Dame Joan Sutherland, Monica Sinclair, Jules Bruyere, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 2 | 3B | 77 BPM | ||
Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
Verdi : Messa da Requiem : XI Lacrymosa | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 85 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 87 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. Final Scene from Goethe's Faust. "Alles Vergängliche", Pt. 1 | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus, Birgit Remmert, Christine Brewer, David Wilson-Johnson, Jane Henschel, John Relyea, Jon Villars, Juliane Banse, Soile Isokoski, Toronto Children's Choir | E♭ Major | 0 | 5B | 131 BPM | ||
Aida / Act 1: Possente, possente Fthà | Giuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov | B Major | 2 | 1B | 85 BPM |