"Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to"" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov was released on 1994. The duration of Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" is about 3 minutes long, at 3:18. Based on our data, "Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Modest Mussorgsky, Claudio Abbado's "Mussorgsky: Boris Godunov - The Sony Opera House" album is number 3 out of 78. On top of that, United States appears to be the country where this track was created. Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
Symphony No. 2 in B Minor: 1. Allegro | Alexander Borodin, London Symphony Orchestra, Jean Martinon | G Major | 3 | 9B | 90 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM |