On January 1, 2009, the song "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro assai" was released by Johann Sebastian Bach, Herbert Waltl. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Switched on Bach". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro assai is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro assai by Johann Sebastian Bach, Herbert Waltl having a テンポ of 173 with a half-time of 86 テンポ and a double-time of 346 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kojo No Tsuki (Taki) | Jean-Pierre Rampal | B Minor | 1 | 10A | 85 BPM | ||
Nocturne, Op. 15: No. 3 | Frédéric Chopin, Peter Schmalfuss | D Minor | 0 | 7A | 69 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Bach Before the Mast | Keith Emerson | B♭ Major | 5 | 6B | 122 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Bright Blue Music | Michael Torke, Baltimore Symphony Orchestra, David Zinman | D Major | 2 | 10B | 118 BPM | ||
Overture No. 3 in D Major, BWV 1068: II. Air, "Air on a G string" | Johann Sebastian Bach, Cantilena, Adrian Shepherd | D Major | 2 | 10B | 136 BPM |