"Kojo No Tsuki (Taki)" by Jean-Pierre Rampal was released on August 2, 1988. The duration of Kojo No Tsuki (Taki) is about 3 minutes long, at 3:11. Based on our data, "Kojo No Tsuki (Taki)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Pierre Rampal, Ensemble Lunaire's "Japanese Folk Melodies" album is number 7 out of 12. On top of that, United States appears to be the country where this track was created. Kojo No Tsuki (Taki) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kojo No Tsuki (Taki) by Jean-Pierre Rampal to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sammartini: Flute Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | C Major | 1 | 8B | 67 BPM | ||
Zdes' khorosho | Sergei Rachmaninoff, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | A Major | 1 | 11B | 67 BPM | ||
Jamaican Rumba | Arthur Benjamin, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | C Major | 4 | 8B | 88 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
Sonate pour Clarinette et Piano, Op. 167: Sonate pour clarinette et piano, Op. 167: I. Allegretto | Camille Saint-Saëns, David Bismuth, Pierre Génisson | E♭ Major | 0 | 5B | 135 BPM | ||
Carmen, WD 31: Habanera | Georges Bizet, Ludmila Peterková, Irina Kondratenko | D Major | 0 | 10B | 99 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Oedo Nihonbashi (Japanese Folk Song) | Jean-Pierre Rampal | E Major | 1 | 12B | 108 BPM | ||
Leclair: Flute Concerto in C Major, Op. 7 No. 3: II. Adagio | Jean-Marie Leclair, Jean-François Paillard, Jean-Pierre Rampal, Orchestre de chambre Jean-François Paillard | D♭ Major | 2 | 3B | 130 BPM | ||
Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM |