"Sonate, Op. 168: III. Adagio Allegro moderato" by Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin was released on June 1, 2000. Sonate, Op. 168: III. Adagio Allegro moderato is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Michel Bettez, Pierre-Richard Aubin's "Le Basson romantique" album is number 13 out of 13. On top of that, Canada appears to be the country where this track was created. Sonate, Op. 168: III. Adagio Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonate, Op. 168: III. Adagio Allegro moderato by Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Toccata | Aram Khachaturian, Karine Poghosyan | A♭ Minor | 2 | 1A | 104 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O 7: III. Presto - Molto allegro vivace | Felix Mendelssohn, Murray Perahia, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 87 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile | Johannes Brahms, Martin Fröst, Roland Pöntinen | E♭ Major | 0 | 5B | 104 BPM | ||
Debussy: Première rapsodie in B-Flat Major, CD 124, L. 116 (Orchestral Version) | Claude Debussy, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 113 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
Debussy: Deux Arabesques, L. 74, L. 66: Deuxième arabesque | Claude Debussy, Simon Trpčeski | C Major | 1 | 8B | 76 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Oboe Sonata, FP 185: Elegie: Paisiblement | Francis Poulenc, Olivier Doise, Alexandre Tharaud | G Major | 0 | 9B | 61 BPM |