Henry Purcell, Academy of Ancient Music, Christopher Hogwood made "Dido and Aeneas / Act 1: Overture" available on January 1, 1994. The duration of Dido and Aeneas / Act 1: Overture is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Dido and Aeneas / Act 1: Overture's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #1. Dido and Aeneas / Act 1: Overture is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dido and Aeneas / Act 1: Overture by Henry Purcell, Academy of Ancient Music, Christopher Hogwood having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
The Indian Queen, Z. 630 : Second Music - Second Aire (Hornpipe) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | E Major | 0 | 12B | 121 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Marche de Timbales | Philidor le Cadet, Marie-Ange Petit, Les Arts Florissants, William Christie | A Major | 2 | 11B | 80 BPM | ||
Pulcinella Suite: II. Serenata | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | C Minor | 0 | 5A | 87 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM |