"Poème Electronique" by Edgard Varèse was released on January 1, 1998. Since Poème Electronique is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Varèse: The Complete Works by Edgard Varèse, Various Artists, Riccardo Chailly, Concertgebouworkest. The song's track number on the album is #3 out of 25 tracks. Poème Electronique is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Poème Electronique by Edgard Varèse has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Poème Electronique being at 70 テンポ, the half-time would be 35 テンポ with a double-time of 140 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octandre: III. Grave | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | E Major | 2 | 12B | 143 BPM | ||
Sike-Edelic Soundwaves | Jane the Ripper | G Major | 0 | 9B | 129 BPM | ||
Threnody to the Victims of Hiroshima | Krzysztof Penderecki, Cracow Philharmonic Orchestra, Wojciech Czepiel | F Major | 3 | 7B | 58 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
The Banshee | Henry Cowell, Cheryl Seltzer, Continuum | C Major | 0 | 8B | 174 BPM | ||
Classique: Bidule et un | Pierre Henry, Pierre Schaeffer | D Major | 4 | 10B | 81 BPM | ||
The Sinking of the Titanic: 5. Hymn III | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 1 | 4B | 73 BPM | ||
Minisym #1 - Instrumental | Moondog | B♭ Major | 3 | 6B | 109 BPM | ||
Cadenza on the Night Plain: Cadenza: Cello | Terry Riley, Kronos Quartet | F♯ Minor | 0 | 11A | 80 BPM | ||
Interval Signal | Maddalena Fagandini | F♯ Major | 2 | 2B | 84 BPM |