Six Metamorphoses after Ovid for Solo Oboe, Op. 49: II. Phaeton (Vivace ritmico) - Benjamin Britten, François Leleux Information

Acousticness: 97%
Danceability: 33%
Energy: 6%
Instrumentalness: 68%
Liveness: 19%
Loudness: 57%
Speechiness: 5%
Valence: 15%
Popularity: 3%
Loudness: -25.791 dB

Summary

"Six Metamorphoses after Ovid for Solo Oboe, Op. 49: II. Phaeton (Vivace ritmico)" by Benjamin Britten, François Leleux was released on 1995. With Six Metamorphoses after Ovid for Solo Oboe, Op. 49: II. Phaeton (Vivace ritmico) being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Six Metamorphoses after Ovid for Solo Oboe, Op. 49: II. Phaeton (Vivace ritmico)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: II. Phaeton (Vivace ritmico) BPM

The tempo marking of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: II. Phaeton (Vivace ritmico) by Benjamin Britten, François Leleux is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: II. Phaeton (Vivace ritmico) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Requiem: I. Requiem Aeternam	Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea	A Minor	0	8A	85 BPM
Pictures at an Exhibition (Orch. Ravel): I. Gnomus	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E Major	1	12B	60 BPM
Aequali No. 1, WAB 114	Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short	C Minor	0	5A	69 BPM
War Requiem, Op. 66 / Libera me: 6c. Let Us Sleep Now...In Paradisum	Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Galina Vishnevskaya, Highgate School Choir, Simon Preston, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra	A Major	1	11B	101 BPM
St. Paul's Suite, Op. 29, No. 2: I. Jig	Gustav Holst, English Sinfonia, Howard Griffiths	D Minor	3	7A	78 BPM
Japanese Suite, Op. 33: II. Ceremonial Dance	Gustav Holst, Ulster Orchestra, Joann Falletta	D♭ Major	1	3B	108 BPM
La forza del destino: Overture (Sinfonia)	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	E Minor	2	9A	80 BPM
Variation 1: L'istesso tempo	Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker	A Major	0	11B	52 BPM
Simple Symphony, Op. 4: Sentimental Sarabande	Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford	G Minor	0	6A	75 BPM
Saint Nicolas, Op. 42: The Birth Of Nicolas	Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra	D Minor	1	7A	171 BPM

ISRC: FRZ149513170
Label: L-M Records/RCA Records

Section: 0.8397674560546875

End: 0.8429551124572754