"La Vida Breve, Act Two, Tableau 1, Scene Three: Intermedio (Orquesta)" by Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia was released on July 1, 1999. The duration of La Vida Breve, Act Two, Tableau 1, Scene Three: Intermedio (Orquesta) is about 3 minutes long, at 3:26. Based on our data, "La Vida Breve, Act Two, Tableau 1, Scene Three: Intermedio (Orquesta)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Manuel de Falla, Victoria de los Ángeles's "Manuel de Falla:La Vida Breve/El sombrero de tres picos etc" album is number 22 out of 65. La Vida Breve, Act Two, Tableau 1, Scene Three: Intermedio (Orquesta) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Vida Breve, Act Two, Tableau 1, Scene Three: Intermedio (Orquesta) by Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM |
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