Igor Stravinsky, Yefim Bronfman's 'Three Movements from Petrushka: La semaine grasse (The Shrove-tide). Con moto - Allegro - Tempo giusto - Agitato' came out on 1988. Since Three Movements from Petrushka: La semaine grasse (The Shrove-tide). Con moto - Allegro - Tempo giusto - Agitato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "Perspectives". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Three Movements from Petrushka: La semaine grasse (The Shrove-tide). Con moto - Allegro - Tempo giusto - Agitato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Movements from Petrushka: La semaine grasse (The Shrove-tide). Con moto - Allegro - Tempo giusto - Agitato by Igor Stravinsky, Yefim Bronfman having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 4 | 9B | 80 BPM | ||
Concerto en re For Violin And Orchestra: 1. Toccata | Igor Stravinsky, Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | F♯ Major | 1 | 2B | 80 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM |
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