Daphnis et Chloé, Part I: Introduction et Danse religieuse... - Simon Halsey, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra Information

Acousticness: 89%
Danceability: 6%
Energy: 1%
Instrumentalness: 86%
Liveness: 8%
Loudness: 53%
Speechiness: 4%
Valence: 4%
Popularity: 0%
Loudness: -28.031 dB

Summary

"Daphnis et Chloé, Part I: Introduction et Danse religieuse..." by Simon Halsey, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra was released on 1992. Since Daphnis et Chloé, Part I: Introduction et Danse religieuse... is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé - Boléro". In this album, this song's track order is #1. Daphnis et Chloé, Part I: Introduction et Danse religieuse... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Daphnis et Chloé, Part I: Introduction et Danse religieuse... BPM

With Daphnis et Chloé, Part I: Introduction et Danse religieuse... by Simon Halsey, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra having a BPM of 57 with a half-time of 28 BPM and a double-time of 114 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Daphnis et Chloé, Part I: Introduction et Danse religieuse... Key

This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie	Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart	E♭ Major	1	5B	66 BPM
4 American Choruses: No. 3, Bright Morning Star!	Julian Anderson, City of Birmingham Symphony Chorus, Simon Halsey	D Major	2	10B	135 BPM
Symphony No.5 In F Minor, Op.42 No.1 For Organ: 5. Toccata (Allegro)	Charles-Marie Widor, Simon Preston	F Major	3	7B	62 BPM
Tosca / Act II: "Vissi d'arte, vissi d'amore"	Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	E♭ Major	1	5B	82 BPM
À Chloris	Reynaldo Hahn, Susan Graham	E Major	0	12B	185 BPM
Abendlied	Josef Rheinberger, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood	F Major	2	7B	79 BPM
Miserere in C Minor Psalm 50, ZWV. 57	Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht	B Minor	2	10A	64 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude	César Franck, Marie-Claire Alain	B Minor	0	10A	71 BPM
The Birds, P. 154: V. The Cuckoo (Il cuccù)	Ottorino Respighi, Orpheus Chamber Orchestra	A Major	0	11B	118 BPM
6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 2, Suliko	Sulkhan Tsintsadze, Lisa Batiashvili, Georgisches Kammerorchester	A Major	0	11B	131 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.608184814453125

End: 0.6150681972503662