"Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie" by Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart was released on February 1, 1989. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius's "Josef Gabriel Rheinberger: Cantus Missae. Musica sacra II" album is number 1 out of 14. Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie by Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalmus CXX | Otto Olsson, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund | D Major | 0 | 10B | 69 BPM | ||
5 Motets, Op. 40: No. 1. Ich liebe, weil erhoret der Herr, "Psalm 114" | Josef Rheinberger, Deutscher Kammerchor, Michael Alber | G Major | 1 | 9B | 66 BPM | ||
Suite for Organ, Violin and Cello, Op. 149 (version for organ trio and strings): III. Sarabande | Josef Rheinberger, Ernő Sebestyén, Martin Ostertag, Andreas Juffinger, Berlin Radio Symphony Orchestra, Hartmut Haenchen | C Minor | 2 | 5A | 91 BPM | ||
Elijah, Op. 70, MWV A 25: No. 28, Hebe deine Augen | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 125 BPM | ||
Iustorum Animae | Matthew Martin, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | D♭ Major | 0 | 3B | 145 BPM | ||
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: V. Mein Gott, warum hast du mich verlassen? Largo | Joseph Haydn, Anna-Lena Elbert, Sophie Harmsen, Florian Sievers, Sebastian Noack, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | F Major | 0 | 7B | 81 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM | ||
Mass for unaccompanied double choir: I. Kyrie | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 137 BPM | ||
Weep, O mine eyes | John Bennet, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
Die erste Walpurgisnacht, Op. 60: I. Es lacht der Mai! | Felix Mendelssohn, David Fischer, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | G Major | 0 | 9B | 87 BPM |
Section: 0.9904143810272217
End: 0.9943943023681641