Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius made "Elijah, Op. 70, MWV A 25: No. 28, Hebe deine Augen" available on April 1, 2006. The duration of Elijah, Op. 70, MWV A 25: No. 28, Hebe deine Augen is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Elijah, Op. 70, MWV A 25: No. 28, Hebe deine Augen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius's "Mendelssohn: Hebe deine Augen auf. Kirchenwerke VII" album is number 13 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Elijah, Op. 70, MWV A 25: No. 28, Hebe deine Augen's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Elijah, Op. 70, MWV A 25: No. 28, Hebe deine Augen by Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | ||
All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Leipzig Radio Chorus, Risto Joost | C Major | 3 | 8B | 124 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Panis Angelicus | César Franck, The Priests, Sally Herbert, Academia Philamonica Romana | A Major | 2 | 11B | 81 BPM | ||
4 Shakespeare Songs: No. 2. Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 130 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | A Major | 0 | 11B | 77 BPM | ||
Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te Deum laudamus" Allegro | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 3 | 8B | 112 BPM | ||
Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | ||
Missa Sancti Georgii: II. Gloria | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | D♭ Major | 1 | 3B | 106 BPM |
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