"All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria"" by Sergei Rachmaninoff, MDR Leipzig Radio Chorus, Risto Joost was released on July 21, 2017. The duration of All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" is about 3 minutes long, at 3:06. Based on our data, "All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Rachmaninov: All-Night Vigil". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" by Sergei Rachmaninoff, MDR Leipzig Radio Chorus, Risto Joost having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Middle | Choral Arts Initiative, Brandon Elliott, Dale Trumbore | B♭ Major | 1 | 6B | 65 BPM | ||
To Thee We Sing - S.Rachmaninoff Version | Kiev Chamber Choir | E♭ Major | 1 | 5B | 132 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Cantate Domino (Motette): 2011 | Josu Elberdin, Stephanie Arden, Marianne Zabel, Kammerchor I Vocalisti, Hans-Joachim Lustig | A Major | 1 | 11B | 99 BPM | ||
Jubilate Deo: III. Ta cao chang de yang | Rivertree Singers Festival Chorus, Heather Huron, Warren Cook, Rivertree Singers | C Major | 1 | 8B | 169 BPM | ||
The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | D Major | 1 | 10B | 74 BPM |
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