"All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light" by Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava was released on May 1, 2020. The duration of All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Tchaikovsky: All-Night Vigil & Other Sacred Choral Works". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Finland. All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light by Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 9, Finale. Andante | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 2 | 12B | 83 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
The Sacred Veil: IV. Magnetic Poetry | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | C Minor | 1 | 5A | 77 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
The Lamb | John Tavener, Amarcord | D Minor | 0 | 7A | 100 BPM | ||
Bonjour, mon cœur | Orlande de Lassus, Amarcord | A Minor | 2 | 8A | 137 BPM |
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