- BPM
- 137
- Key
- E Minor
- Camelot
- 9A
Mass for unaccompanied double choir: I. Kyrie - Frank Martin, RIAS Kammerchor, Daniel Reuss Information
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 4%
- Instrumentalness
- 37%
- Liveness
- 6%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -26.911 dB
Summary
"Mass for unaccompanied double choir: I. Kyrie" by Frank Martin, RIAS Kammerchor, Daniel Reuss was released on May 28, 2004. Mass for unaccompanied double choir: I. Kyrie is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 1 out of 16 in Choral Works by Frank Martin, RIAS Kammerchor, Daniel Reuss. Based on our statistics, Mass for unaccompanied double choir: I. Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mass for unaccompanied double choir: I. Kyrie BPM
The tempo marking of Mass for unaccompanied double choir: I. Kyrie by Frank Martin, RIAS Kammerchor, Daniel Reuss is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Mass for unaccompanied double choir: I. Kyrie Key
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A Minor | 1 | 8A | 91 BPM | |
 | Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | |
 | Miserere mei, Deus | Philippe de Monte, Collegium Vocale Gent, Philippe Herreweghe | F Minor | 2 | 4A | 85 BPM | |
 | Three Shakespeare Songs: II. The Cloud-capp'd Towers | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | B♭ Major | 1 | 6B | 79 BPM | |
 | The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | |
 | Present Yourselves as a Living Sacrifice | James O'Donnell, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 75 BPM | |
![Spartacus, Act II: Slaves' variation and Dance on the shields (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d) | Spartacus, Act II: Slaves' variation and Dance on the shields (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | F Major | 1 | 7B | 87 BPM | |
 | Dona Nobis Pacem: O Man Greatly Beloved | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 1 | 6B | 77 BPM | |
 | Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | |
 | Five Songs of Ariel (after Shakespeare's "The Tempest"): II. Act I, sc.2 - Très calme | Frank Martin, RIAS Kammerchor, Daniel Reuss | F♯ Minor | 0 | 11A | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0652787685394287
End: 1.0702738761901855