"Burial Service: I. Man that is Born of a Woman" by Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland was released on January 4, 2010. With Burial Service: I. Man that is Born of a Woman being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Thou Knowest Lord, the Secrets of Our Hearts (Funeral Music from 16th and 17th Century England)". In this album, this song's track order is #1. In terms of popularity, Burial Service: I. Man that is Born of a Woman is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Burial Service: I. Man that is Born of a Woman by Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Da solen påskemorgen kom | Jørgen Sørensen, Thisted Kirkes Drenge Mandskor, Preben Nørgaard Christensen | F Major | 1 | 7B | 74 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Since My Tears and Lamenting | Thomas Morley, Kamerkoor Couleur Vocale, Luc Jakobs | D Major | 0 | 10B | 103 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Madrigals: Besides A Fountain | Thomas Morley, Consort Of Musicke, Anthony Rooley | A♭ Major | 1 | 4B | 71 BPM | ||
Pust | Susanne Rosenberg, Swedish Chamber Choir, Simon Phipps | E Minor | 2 | 9A | 167 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 15, Receive Me, My Redeemer [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | D Major | 2 | 10B | 88 BPM | ||
Pingst | John Lindberg, Academy Chamber Choir of Uppsala, Stefan Parkman | D Minor | 1 | 7A | 115 BPM | ||
Förvårskväll | David Wikander, Sofia Vokalensemble, Bengt Ollen | C Major | 0 | 8B | 78 BPM |
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