"Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude" by César Franck, Marie-Claire Alain was released on 1977. The duration of Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude is about 3 minutes long, at 3:11. Based on our data, "Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 22 in Franck : Organ Works (Apex) by César Franck, Marie-Claire Alain. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude by César Franck, Marie-Claire Alain is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Minor for Recorder & Strings, RV 441: 1. Allegro non molto | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | F♯ Minor | 0 | 11A | 69 BPM | ||
Il ritorno d'Ulisse in patria: Sinfonia | Claudio Monteverdi, René Jacobs, Concerto Vocale | A Minor | 1 | 8A | 116 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Thalben-Ball: Elegy | George Thalben-Ball, Ian Tracey | G Minor | 0 | 6A | 98 BPM | ||
L'Organiste, FWV 41: No. 14, Andante | César Franck, Carsten Wiebusch | F♯ Major | 0 | 2B | 74 BPM | ||
Lebègue: Premier livre d'orgue, Suite du premier ton: V. Trio à trois claviers | Nicolas Lebègue, Marie-Claire Alain | A Minor | 2 | 8A | 87 BPM | ||
Nivers: Troisième livre d'orgue, Suite du deuxième ton: X. Dialogue de récits | Guillaume-Gabriel Nivers, Marie-Claire Alain | D Minor | 0 | 7A | 75 BPM |
Section: 0.824547290802002
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