"Thalben-Ball: Elegy" by George Thalben-Ball, Ian Tracey was released on 1989. With this song being about 5 minutes long, at 4:51, "Thalben-Ball: Elegy" by George Thalben-Ball, Ian Tracey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Organ Recital". In this album, this song's track order is #13. In terms of popularity, Thalben-Ball: Elegy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thalben-Ball: Elegy by George Thalben-Ball, Ian Tracey having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walford-Davies: Jubilate in G Major | Henry Walford Davies, Temple Church Choir, George Thalben-Ball | D♭ Major | 3 | 3B | 94 BPM | ||
Water Music Suite No. 2, HWV 349 (Excerpts Arr. O. Peasgood for Organ): II. Alla Hornpipe | George Frideric Handel, David Dunnett | D Major | 0 | 10B | 70 BPM | ||
Xerxes HWV40: Largo: Ombra Mai Fú | English Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 62 BPM | ||
Handel: Berenice, HWV 38, Overture: II. Andante (Larghetto) | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 77 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Esquisses byzantines (Excerpts): No. 8, Noël | Henri Mulet, Ian Tracey | F♯ Minor | 2 | 11A | 96 BPM | ||
Rigaudon | André Campra, Douglas Bush, David Brown | A Major | 1 | 11B | 68 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7: Choralvorspiel | Clara Schumann, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
Durazzo Harbour | Marie Glacier | A Major | 1 | 11B | 56 BPM |
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