"The Mikado: Young Man, Despair, Likewise Go To" by Bonaventura Bottone, Gareth Jones, Malcolm Rivers was released on November 1, 1991. The duration of The Mikado: Young Man, Despair, Likewise Go To is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. The Mikado: Young Man, Despair, Likewise Go To's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Mikado (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. The Mikado: Young Man, Despair, Likewise Go To is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Mikado: Young Man, Despair, Likewise Go To by Bonaventura Bottone, Gareth Jones, Malcolm Rivers having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poème d'amour: No. 3, Ouvre tes yeux bleus | Jules Massenet, Jessica Pratt, Vincenzo Scalera | G Major | 1 | 9B | 79 BPM | ||
The Pirates of Penzance: Oh! Is There Not One Maiden Breast | Marilyn Hill Smith, Philip Creasy | D♭ Major | 0 | 3B | 77 BPM | ||
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Il Trovatore: Timor di me? ... D'amor sull'ali rosee | Giuseppe Verdi, Liping Zhang/Giordano Bellincampi/City of Prague Philharmonic Orchestra, Giordano Bellincampi, The City of Prague Philharmonic Orchestra | F Minor | 0 | 4A | 83 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
Un ballo in maschera / Act 1: "E la destra d'un grande" - "E scherzo od è follia" | Giuseppe Verdi, Sumi Jo, Florence Quivar, Plácido Domingo, Goran Simic, Kurt Rydl, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | A♭ Major | 1 | 4B | 80 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
La Traviata, Act I: Si ridestra in ciel l'aurora | Giuseppe Verdi, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Biagio Pizzuti, Alexander Köpeczy, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | A♭ Major | 4 | 4B | 176 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM |
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