"The Pirates of Penzance: Oh! Is There Not One Maiden Breast" by Marilyn Hill Smith, Philip Creasy had its release date on November 1, 1991. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The Pirates of Penzance: Oh! Is There Not One Maiden Breast is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pirates of Penzance: Oh! Is There Not One Maiden Breast by Marilyn Hill Smith, Philip Creasy having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Land des Lächelns (The Land of Smiles), Act II: Ich möcht wieder einmal die Heimat seh'n | Franz Lehár, Barry Knight, Chandos Concert Orchestra, Marilyn Hill Smith | F Major | 2 | 7B | 96 BPM | ||
Petite messe solennelle: XVIII. Agnus Dei | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, José Maria Lo Monaco, Francesco Corti, Cristiano Gaudio, Deniel Perer | D Major | 1 | 10B | 91 BPM | ||
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM | ||
Magic Fire Music (Orchestra) | Richard Wagner, Ruth Siewert, Wilhelm Furtwängler, Wiener Philharmoniker | E Major | 1 | 12B | 78 BPM | ||
Eva, das Fabriksmadel (Eva, the Factory Girl), Act I: Wär' es auch nichts als ein Augenblick | Franz Lehár, Barry Knight, Chandos Concert Orchestra, Marilyn Hill Smith | G Major | 2 | 9B | 114 BPM | ||
Lucrezia Borgia / Act 2: Il segreto per esser felici | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Richard van Allan, Graham Clark, Lieuwe Visser, Piero de Palma, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Rouse thee, my fainting soul | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
HMS Pinafore: When I Was a Lad | Gordon Sandison, New D'Oyly Carte Opera | C Major | 2 | 8B | 133 BPM | ||
The Pirates of Penzance: When the Foe-Man Bares His Steel | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | D Major | 3 | 10B | 59 BPM |