- BPM
- 78
- Key
- E Major
- Camelot
- 12B
Magic Fire Music (Orchestra) - Richard Wagner, Ruth Siewert, Wilhelm Furtwängler, Wiener Philharmoniker Information
- Acousticness
- 98%
- Danceability
- 26%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 7%
- Loudness
- -22.54 dB
Summary
"Magic Fire Music (Orchestra)" by Richard Wagner, Ruth Siewert, Wilhelm Furtwängler, Wiener Philharmoniker was released on 1989. The duration of Magic Fire Music (Orchestra) is about 3 minutes long, at 3:26. Based on our data, "Magic Fire Music (Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner - Die Walküre by Richard Wagner, Ludwig Suthaus/Dagmar Schmedes/Dagmar Hermann/Hertha Töpper/Johanna Blatter/Ruth Siewert/Wiener Philharmoniker/Wilhelm Furtwängler/Leonie Rysanek/Martha Mödl/Ferdinand Frantz/Margarete Klose/Gottlob Frick/Gerda Scheyrer/Erika Köth/Judith He, Wilhelm Furtwängler, Wiener Philharmoniker. The song's track number on the album is #14 out of 43 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Magic Fire Music (Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Magic Fire Music (Orchestra) BPM
Since Magic Fire Music (Orchestra) by Richard Wagner, Ruth Siewert, Wilhelm Furtwängler, Wiener Philharmoniker has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Magic Fire Music (Orchestra) being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Magic Fire Music (Orchestra) Key
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bizet: Carmen, WD 31, Act 1: "Attention! Chut! Attention! Taisons-nous!" (Moralès, Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 117 BPM | |
 | Requiem in D Minor, K. 626: 3. Sequentia: Dies irae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 4 | 6A | 72 BPM | |
 | Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 80 BPM | |
 | Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | |
 | L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | |
 | The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | |
 | German Requiem, Op. 45: Selig sind, die da Leid tragen | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM |
- ISRC
- GBAYC8904079
- Label
- L-M Records/RCA Records
Section: 0.8597683906555176
End: 0.865067720413208