Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith's 'The Pirates of Penzance: When the Foe-Man Bares His Steel' came out on November 1, 1991. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The Pirates of Penzance: When the Foe-Man Bares His Steel is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Pirates of Penzance: When the Foe-Man Bares His Steel by Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Faschingsfee (The Carnival Fairy), Act I: Lieber Himmelvater | Emmerich Kalman, Barry Knight, Chandos Concert Orchestra, Marilyn Hill Smith | E♭ Major | 1 | 5B | 129 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
Die Zauberflöte, K. 620: Der Hölle Rache kocht | Linda Campanella | F Major | 2 | 7B | 126 BPM | ||
HMS Pinafore: Now Give Three Cheers / I Am the Monarch of the Sea | Gaynor Keeble, Gordon Sandison, New D'Oyly Carte Opera, Tom McVeigh | E Major | 1 | 12B | 141 BPM | ||
The Rebel Maid: Sail my Ships | Montague Phillips, Robin White, Southern Festival Orchestra, Marilyn Hill Smith | G Major | 2 | 9B | 114 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Cavalli: Ercole amante, Prologo: "E poiche qual doppo guerrieri onori" (Cinthia) | Francesco Cavalli, Michel Corboz, Luciano Sgrizzi, Marilyn Hill Smith, English Bach Festival Baroque Orchestra | D Major | 5 | 10B | 70 BPM | ||
Il Pirata, Act II: Che rechi? | Vincenzo Bellini, Felice Romani, Franco Vassallo, Marina Rebeka, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | D♭ Major | 4 | 3B | 65 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VII. Con queste paroline. (Allegro - alla breve) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Matthew Rose | G Minor | 0 | 6A | 140 BPM |
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