"Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better" by Lennox Berkeley, Robin Tritschler, Malcolm Martineau was released on May 15, 2024. The duration of Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better by Lennox Berkeley, Robin Tritschler, Malcolm Martineau is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sept mélodies, Op. 2: V. Sérénade italienne | Ernest Chausson, Véronique Gens, Susan Manoff | B Major | 2 | 1B | 78 BPM | ||
Berkeley: Horn Trio, Op. 44: III. (h) Variation VII. Adagio | Lennox Berkeley, Manoug Parikian, Dennis Brain, Colin Horsley | E♭ Major | 1 | 5B | 172 BPM | ||
Le paon | Maurice Ravel, Simon Keenlyside, Malcolm Martineau | D Major | 3 | 10B | 76 BPM | ||
La chanson d’Eve, Op. 95: No. 1, Paradis | Gabriel Fauré, Sarah Connolly, Malcolm Martineau | D Minor | 1 | 7A | 72 BPM | ||
Verschiedene Volkslieder, WoO 157: No. 8, By the Side of the Shannon | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | G Major | 2 | 9B | 103 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Britten - On this Island: Nocturne | Benjamin Britten, Barbara Bonney, Malcolm Martineau | D♭ Minor | 1 | 12A | 87 BPM | ||
Gurre-Lieder / Part 1: 3. "O, wenn des Mondes Strahlen" | Arnold Schoenberg, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 1 | 3B | 86 BPM | ||
À Chloris | Reynaldo Hahn, Benjamin Appl, James Baillieu | D Major | 0 | 10B | 70 BPM | ||
Lullaby | Gideon Klein, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A Minor | 1 | 8A | 87 BPM |
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