"Poème d'amour: No. 3, Ouvre tes yeux bleus" by Jules Massenet, Jessica Pratt, Vincenzo Scalera was released on January 29, 2016. The duration of Poème d'amour: No. 3, Ouvre tes yeux bleus is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Poème d'amour: No. 3, Ouvre tes yeux bleus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Serenade". In this album, this song's track order is #1. Poème d'amour: No. 3, Ouvre tes yeux bleus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Poème d'amour: No. 3, Ouvre tes yeux bleus by Jules Massenet, Jessica Pratt, Vincenzo Scalera having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
Poème d'amour: No. 3, Ouvre tes yeux bleus | Jules Massenet, Jessica Pratt, Vincenzo Scalera | G Major | 1 | 9B | 79 BPM | ||
Spesso vibra per suo gioco | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 135 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Kathleen Battle, James Levine | F♯ Minor | 2 | 11A | 63 BPM | ||
Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon) | Jules Massenet, Roberto Alagna, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | E Minor | 0 | 9A | 78 BPM | ||
Adieux de l'hôtesse arabe | Georges Bizet, Cecilia Bartoli, Myung-Whun Chung | A Minor | 1 | 8A | 145 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM |
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