"Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon)" by Jules Massenet, Roberto Alagna, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels was released on 2000. The duration of Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon) is about 3 minutes long, at 3:12. Based on our data, "Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jules Massenet, Angela Gheorghiu, Roberto Alagna, Orchestre Symphonique De La Monnaie, Antonio Pappano's "Massenet: Manon" album is number 33 out of 80. Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon) by Jules Massenet, Roberto Alagna, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Liebesleid - Arr. Mischa Maisky | Fritz Kreisler, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 83 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 2 - The Goaler's rooms in New Orleans | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A♭ Major | 0 | 4B | 80 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM |
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