Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin's 'Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano)' came out on July 1, 2022. The duration of Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Debussy: Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) by Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Ruth Slenczynska | D♭ Major | 0 | 3B | 70 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
3 Romances for Violin and Piano, Op. 22: 3. Leidenschaftlich schnell | Clara Schumann, Lisa Batiashvili, Alice Sara Ott | B♭ Major | 1 | 6B | 105 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
The Terry Theme From "Limelight" / La Violetera From "City Lights" / Je cherche après Titine From "Modern Times" / Awakening From "Limelight" / Theme From "Modern Times" - CITY MEMORIES | Charlie Chaplin, Jose Padilla Sanchez, Léo Daniderff, Louis Maubon, Claude Bertal, Emile Ronn, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | C Minor | 2 | 5A | 82 BPM |
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