"Der Zaubertrank, Pt. 1: VII. Am dritten Tage, als Tristan" by Frank Martin, Julius Patzak, Maria Cebotari, Hilde Zadek, Vienna State Opera Chorus, Budapest Philharmonic Orchestra, Ferenc Fricsay was released on March 15, 2019. Der Zaubertrank, Pt. 1: VII. Am dritten Tage, als Tristan appears to be safe for all ages as it is not explicit. The track order of this song in Frank Martin, Budapest Philharmonic Orchestra, Ferenc Fricsay, Maria Cebotari, Alfred Poell's "Martin: Der Zaubertrank" album is number 7 out of 19. On top of that, Germany appears to be the country where this track was created. Der Zaubertrank, Pt. 1: VII. Am dritten Tage, als Tristan is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Zaubertrank, Pt. 1: VII. Am dritten Tage, als Tristan by Frank Martin, Julius Patzak, Maria Cebotari, Hilde Zadek, Vienna State Opera Chorus, Budapest Philharmonic Orchestra, Ferenc Fricsay to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
Laudi alla Vergine Maria | Giuseppe Verdi, Salzburg Bach Choir, Alois Glassner | C Major | 2 | 8B | 73 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | B Minor | 0 | 10A | 80 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
The Isle is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 104 BPM | ||
Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM |
Section: 0.5341789722442627
End: 0.5391688346862793