"Ich liege und schlafe" by Athesinus Consort Berlin, Klaus-Martin Bresgott was released on 1909. With Ich liege und schlafe being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Ich liege und schlafe and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Ich liege und schlafe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ich liege und schlafe by Athesinus Consort Berlin, Klaus-Martin Bresgott to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantiones sacre: No. 36, Lobet, ihr Himmel, den Herren auf Erden, SSWV 35 | Samuel Scheidt, Arno Schneider, Athesinus Consort Berlin, Klaus-Martin Bresgott | F Minor | 1 | 4A | 95 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
That Which Remains | Andrea Ramsey, BYU Concert Choir, Brent Wells | E Major | 1 | 12B | 79 BPM | ||
Dormi Jesu, Op. 3 | Edmund Rubbra, St. Margaret's Westminster Singers, Richard Hickox | E Minor | 1 | 9A | 72 BPM | ||
Glück oder Unglück | Athesinus Consort Berlin, Klaus-Martin Bresgott, Carsten Gerlitz, Uwe Steinmetz, Michael Metzler, Stefan Quirin Drexlmeier, Stephan M. Gähler, Heike O. Scheel, Ulrike Barth | D Minor | 5 | 7A | 116 BPM | ||
Mass in G Minor: I. Kyrie | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | D Minor | 0 | 7A | 88 BPM | ||
Mass in D Major, Op. 86, B. 153: IV. Sanctus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 2 | 10B | 140 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Einladung | Athesinus Consort Berlin, Klaus-Martin Bresgott, Uwe Steinmetz, Pascal von Wroblewsky | B Major | 1 | 1B | 65 BPM | ||
O Shepherd of the Sheep SHZ 269 | Laestadian Lutheran Church, Viena Kontkanen, Liisa Keranen | A Major | 3 | 11B | 83 BPM |
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